Long before Judy Garland became the iconic Dorothy, she was a frightened little girl trying to survive a world that offered little safety and even less tenderness. Her childhood unfolded in constant instability. Her parents’ marriage collapsed publicly and painfully. Her mother, driven by fierce ambition, placed career above comfort and treated Judy less like a child and more like an investment. At the same time, the studio system that would later profit so enormously from her talent already viewed her as a commodity. In that environment, Judy’s sense of self was shaped by fear, pressure, and the belief that her worth existed only when she performed.
From an early age, praise arrived only when she was on stage. Affection disappeared the moment the curtain closed. Studio executives controlled every aspect of her life, from her weight and clothing to her sleep and meals. She was given pills to wake up, pills to go to sleep, and stimulants to keep her thin and energetic enough to meet impossible production schedules. They mocked her appearance, calling her plain and awkward, while simultaneously demanding that she embody magic and perfection on screen. The contradiction was devastating. She learned that love was conditional, approval was temporary, and security could vanish without warning.
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